Jump to content

DVD Night - Dominion: Prequel to the Exorcist


Scrivener
 Share

Recommended Posts

For the uninitiated it is vitally important to understand this film's unique history, as the circumstances are entirely without precedent. In 1999 Warner Brothers began work on an Exorcist prequel with John Frankenheimer set to direct. The story was to be drawn from elements of William Peter Blatty's book not touched on in the first movie. More precisely, the source of Father Lancaster Merrin's (Stellan Skarsgard in both Schrader and Harlins films, Max von Sydow in the original) particular religious dilemma. The original screenplay was developed and written by William Wisher Jr. (Terminator 2, 13th Warrior, Judge Dredd) with contributions by Caleb Carr.

When John Frankenheimer became ill in 2000, well into preproduction, Warner then attached Paul Schrader (American Gigolo) to the project. In it's original form the story was primarily concerned with faith, temptation, facing one's own demons (literally and figuratively). Schrader was given a reasonable budget of $40m to make the film as written.

What Schrader delivered in early 2003 was a serious, contemplative drama. The studio was incensed. Clearly they wanted blood, guts, green vomit, and heads spinning. In an unprecedented move that shocked the entire industry, Warner executives stuck the film in a vault, fired everyone involved, and brought in Renny Harlin (Die Hard 2, Cliffhanger, Driven) to remake the film as he saw fit... provided it was adequately "shocking."

SchraderÔÇÖs cut was shown to a select few during the time Harlin worked on his version and, despite the studios displeasure with SchraderÔÇÖs version of the film, the word that got out was quite positive. Until now, the only version available to the public was HarlinÔÇÖs sloppy big-budget CG-fest.

I can say with great enthusiasm (especially if you hated Harlins as much as I did) that Paul Schraders version is a vastly superior film. It does, however, have a rather absurd climax  which is not so much the fault of the script or the direction, but because of budgeting issues. When the studio canceled the film, the soundtrack and effects were not complete and Schrader was forced to improvise on shoestrings when the studio decided to resurrect it. Most of the film gets by just fine without the bells and whistles  its not a very high-tech movie and most of the effects in the film were practical with very little CG. A proper soundtrack would have benefited the film greatly, to be sure, but it never gets in the way that is, until the films climax.

Right when things start to get the most interesting the soundtrack suddenly becomes like something out of a low-budget 80s horror film. To make matters worse, we are assaulted with a very cheap, very cheesy looking northern-lights effect (again, reminiscent of a very cheap 80s lightning rotoscoping) that permeates every scene. Its a sad thing when cheapness like this manages to creep into an otherwise great film especially during its climax. It can ruin the entire experience and sadly it comes very close to doing that here (and for many people, Im sure it will do just that).

The rest of Dominion however is carried magnificently by a fantastic cast, excellent script, and interesting twist on the possession. Sure Dominion is not without itÔÇÖs faults but those are almost exclusively a result of having to budget with which to finish the movie. With this in mind you may appreciate it more for what it is ÔÇô a great drama whose moral is as literal as it is figurative. Better, it meshes much more readily with the original 1973 hit than other Exorcist sequel/prequel to date. That alone makes it worth at least one viewing.

8/10

For SC: The gore level is so low as to be virtually nonexistent. I can't for the life of me figure out why this is rated R and not PG-13.

Link to comment
Share on other sites

  • 3 weeks later...

Please sign in to comment

You will be able to leave a comment after signing in



Sign In Now
 Share

×
×
  • Create New...